Vera Ximenes            
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A Note from the Artist

I am primarily a painter. The paintings often become a source and an element of my three-dimensional work, including whole-room installations and site specific projects. I am driven to find pathways within the self to achieve awareness, balance and clarity of vision. I want my work to be of service to viewers, a catalyst to their imaginations, a portal to the unknown and profound.

 

“Portals” (2010) I began to work on PORTALS in the fall of 2008. It consists of a series of large-scale, minimalistic oil paintings. This series is based on one form, the circle. I build up the elemental shape and colors by applying multiple layers of paint to the point of intense saturation. I use a variety of shades of purple from light lavender to the nearly black, and I paint rapidly at the edges to get a pulsating effect. I work on them in phases, with lots of breaks in between to allow them to dry before I apply the next layer. Although all the work in this series has the same initial shape, format and colors, each develops its unique qualities as it comes into being. Each painting possesses its energy and is its own inquiry.

 

“Triad” (2008) is a wall installation consisting of nine 30”x30” oil paintings hung one inch apart in rows of three. It took me nine months to create Triad.

 

“Out of Silence” (2006-2007) oil on canvas is a body of work containing two sets of triptychs measuring 48”x108” each.

 

“Watermarks” (2000) Artists and Writers on the Consumnes River Preserve, Center for Contemporary Art, Sacramento, California. A concept built with decayed found objects collected during my walks at the Consumnes River Preserve in southern Sacramento County. It includes railroad ties, wire, rusted iron, stained red fabric, stones, bones, dried reeds and oily water. “Watermarks” is my perception of this fleeting world and of the impermanence of all things.  

 

“Pink Triangle” (2000) Created at the 4th International Congress for Performance Art and Visual Artists, sponsored by the Center for Contemporary Art Sacramento, CA.

A site-specific project consisting of an old bed, ashes, black dyed muslin, dried pink roses and candles. Installed in an old vacant warehouse. It honors and focuses attention on the long-neglected group of Nazi victims, the ones who were forced to wear the pink triangle, the gays who were persecuted throughout Europe.

 

Vera Ximenes

 



Download PDF of Vera's resume

 

BORN

Fortaleza, Brazil

 

LIVES

Sacramento, California

 

 

EDUCATION

1988-90 California State University, Sacramento
1985-88 Sacramento City College, Sacramento, California
1973-76 School of Fine Arts, Rio de Janeiro, Brazil

 

AWARDS AND JURIED EXHIBITIONS

2011 “Hidden Cities,” New Century Artists Gallery, Chelsea, New York City
Juried by Lisa Phillips, Director of the New Museum in New York City
2003 “Dibujos,” Museum of Modern Art, Caracas Venezuela
2001 “New Works Award,” Sacramento Metropolitan Arts Commission
2000 “Sacramento Fine Arts Award,” California Works
1991 Award of Merit, Gregory Kondos Gallery, SCC, Sacramento, California

 

SELECTED SOLO EXHIBITIONS

2011 “Portals,” Solomon Dubnick Gallery, Sacramento, California
2009 '“Streams of Time,” 58 Holding & Co. Gallery, Sacramento, California
2002 “Impermanence,” Caracas Zen Center, Caracas, Venezuela
2002 “Impermanence II,” Right Brain Gallery, Atlanta, Georgia
2001 “Houses of Infinity,” (Installation) “New Works” Sacramento Arts Commission Grant
2001 “Houses of Infinity II,” LH Horton Gallery, Stockton, California
2001 “New Work,” Right Brain Gallery, Atlanta, Georgia
2000 “Pink Triangle,” (Installation) Gallery SOTODO, Sacramento, California
2000 “Existential Brazil,” Right Brain Gallery, Atlanta, Georgia
2000 “Body and Soul,” Matrixarts, Sacramento, California
1999 “NUDES,” Eight Gallery, Sacramento,California
1993 “Healing Paintings,” Idea Gallery, Sacramento, California

 

SELECTED GROUP EXHIBITIONS

2011 “A Sense of Place,” Arc Gallery, San Francisco, California
2011 “Hidden Cities,” New Century Artists Gallery, Chelsea, New York City
Juried by Lisa Phillips, Director of the New Museum in New York City
2010 "Open Sacramento," Center for Contemporay Art, Sacramento, California
2010 Benefit Auction, Center for Contemporay Art, Sacramento, California
2009

Open Studio Show, Center for Contemporay Art, Sacramento, California

2008 Benefit Auction, Center for Contemporay Art, Sacramento, California
2008 Open Studio Tour, Center for Contemporay Art, Sacramento, California
2007 Benefit Auction, Center for Contemporay Art, Sacramento, California
2007 Open Studio Tour, Center for Contemporay Art, Sacramento, California
2007 “Open Studio,” SMUD Gallery,Sacramento, California
2005 John Natsoulas Gallery, Davis, California
2004 John Natsoulas Gallery, Davis, California
2003 “Debujos,” Museum of Modern Art, Caracas, Venezuela
2002 “Woman,” Woman Made Gallery, Chicago, Illinois
2001 “Summer Invitational,” Right Brain Gallery, Atlanta , California
2001 Lincoln Arts Center Lincoln, California
2000 Matrixart Gallery, Sacramento,California
2000 “Spaces and Spirits,” SMUD Gallery, Sacramento, California
1999 “Voces Ahora- An Invitational,” Art Foundry, Sacramento, California
1999 “Eight,” Gallery 8, Sacramento, California
1998 “Tree Painters,” Celestin’s , Sacramento, California
1997 “Watermarks,” Center for Contemporary Art, Sacramento, California
1997 “Voices,” Art Foundry Gallery, Sacramento, California

 

REVIEWS AND PUBLICATIONS

2002 Daily Journal, March 24, Alice Chacon,
Caracas, Venezuela
2001 Stockton Record, July 2001
1999 Sacramento Bee, Nov. 7, Victoria Dalkey
1999 Sacramento News & Review, Aug.26
1998 Sacramento Bee, Oct.25, Victoria Dalkey
1998 Sacramento News & Review, Aug.27, Kimi Julian
1998 A Fine Arts, Literary, Performing Arts, Quarterly, Winter, Vol. 1, No1
1997 Cover and feature artist,” STELLA”